Nathan and the Courage to Speak Truth to Power
A collaboration between Lewis McLain & AI

Few moments in ancient literature capture the moral courage required to speak truth to power as vividly as the encounter between the prophet Nathan and King David. The scene is brief, almost understated, yet it exposes a problem as old as authority itself: what happens when power no longer hears the truth.
David, at this point in the biblical story, is not a fragile leader. He is Israel’s greatest king—military hero, national symbol, and political success. His reign is stable. His enemies are subdued. His legitimacy is unquestioned. That success, however, has begun to insulate him from accountability.¹
The Bible does not soften what happens next, and it is worth telling plainly.
What David Did
One evening, David notices a woman bathing from the roof of his palace. He learns she is married to one of his own soldiers, a man currently fighting on the front lines. David summons her anyway. As king, his request carries force whether spoken gently or not. She becomes pregnant.²
David now faces exposure. Instead of confessing, he attempts to manage the situation. He recalls the husband from battle, hoping circumstances will hide the truth. When that fails, David escalates. He sends the man back to war carrying a sealed message to the commanding general—an order placing him where the fighting is fiercest and support will be withdrawn.³
The man is killed.
The machinery of power functions smoothly. No inquiry follows. David marries the widow. From the outside, the matter disappears. Politically, the problem is solved. Morally, it has only been buried.
This is the danger Scripture names without hesitation: power does not merely enable wrongdoing; it can normalize it.
Why Nathan Matters
Nathan enters the story not as a revolutionary or rival, but as a prophet—someone whose authority comes from obedience to God rather than proximity to the throne. He is not part of David’s chain of command. He does not benefit from David’s favor. That independence is everything.⁴
Nathan does not accuse David directly. Instead, he tells a story.
He describes two men in a town. One is rich, with vast flocks. The other is poor, possessing only a single lamb—so cherished it eats at his table and sleeps in his arms. When a guest arrives, the rich man does not draw from his abundance. He takes the poor man’s lamb instead.⁵
David is outraged. As king, he pronounces judgment swiftly and confidently. The man deserves punishment. Restitution. Consequences.
Then Nathan speaks the words that collapse the distance between story and reality:
**“You are the man.”**⁶
In an instant, David realizes he has judged himself. Nathan names the facts plainly: David used his power to take what was not his, destroyed a loyal man to conceal it, and assumed his position placed him beyond accountability.
This is not a trap meant to humiliate. It is truth delivered with precision. Nathan allows David’s own moral instincts—still intact beneath layers of authority—to render the verdict.
Speaking Truth to Power Is Dangerous
Nathan’s courage should not be underestimated. Kings do not respond kindly to exposure. Many prophets were imprisoned or killed for far less. Nathan risks his position, his safety, and possibly his life. He cannot know how David will react. Faithfulness here is not measured by outcome but by obedience.⁷
Speaking truth to power is rarely loud. It is rarely celebrated. It requires proximity without dependence, clarity without cruelty, and courage without illusion. Nathan does not shout from outside the palace gates. He walks directly into the seat of power and speaks.
David’s response is remarkable precisely because it is not guaranteed:
*“I have sinned against the Lord.”*⁸
Repentance does not erase consequences. Nathan makes that clear. Forgiveness and accountability coexist. The Bible refuses to confuse mercy with immunity.⁹
Why This Story Still Matters
This encounter reveals something essential about power: authority tends to surround itself with affirmation and silence. Over time, wrongdoing becomes justified, then invisible. Institutions close ranks. Loyalty replaces truth. Image replaces integrity.
Nathan represents the indispensable outsider—the one who loves truth more than access and justice more than comfort. He does not seek to destroy David. He seeks to save him from becoming a king who can no longer hear.
Scripture does not present leaders as villains by default. It presents them as dangerous precisely because they are human. Power magnifies both virtue and vice. Without truth, it corrodes.¹⁰
The Broken Hallelujah
This is where Leonard Cohen’s Hallelujah belongs—not as ornament, but as interpretation.
The song opens with David’s musical gift, his calling, his nearness to God:
“Now I’ve heard there was a secret chord
That David played, and it pleased the Lord…”
But Cohen does not linger there. He moves quickly to the roof, the bath, the fall:
“You saw her bathing on the roof
Her beauty and the moonlight overthrew you.”
Cohen refuses to romanticize David any more than Nathan does. He understands that David’s story is not primarily about victory, but about collapse and confession. And he understands something many listeners miss: praise spoken after exposure cannot sound the same as praise spoken before it.
That is why the refrain matters:
“It’s a broken hallelujah.”
A cheap hallelujah is easy—praise without truth, worship without repentance, confidence without cost. It thrives where power is affirmed but never confronted.¹¹
A broken hallelujah is what remains when illusion is stripped away. It is praise that has passed through judgment. It is faith no longer dependent on image, position, or success. It is what David offers in Psalm 51, after Nathan leaves and the consequences remain.¹²
Nathan does not end David’s worship. He saves it from becoming hollow.
For Our Time
Nathan’s story is not ancient trivia. It is a permanent challenge.
Every generation builds systems that reward silence and discourage dissent—governments, corporations, churches, universities, families. Power still resists accountability. Truth still carries a cost. And praise without honesty still rings empty.
Speaking truth to power does not guarantee reform. It guarantees integrity.
Nathan spoke. David listened. And centuries later, a songwriter captured what that moment sounds like from the inside—not triumphant, not resolved, but honest.
Not every hallelujah is joyful.
Some are whispered.
Some are broken.
And those may be the ones worth hearing most.
Scripture References & Notes
- David’s power and success: 2 Samuel 5–10
- Bathsheba episode begins: 2 Samuel 11:1–5
- Uriah’s death order: 2 Samuel 11:14–17
- Nathan as prophet to David: 2 Samuel 7; 2 Samuel 12
- Nathan’s parable: 2 Samuel 12:1–4
- “You are the man”: 2 Samuel 12:7
- Prophetic risk: cf. 1 Kings 18; Jeremiah 20:1–2
- David’s confession: 2 Samuel 12:13
- Consequences despite forgiveness: 2 Samuel 12:10–14
- Power and accountability theme: Proverbs 29:2; Psalm 82
- Empty worship critique: Isaiah 1:11–17; Amos 5:21–24
- David’s broken praise: Psalm 51:16–17
Hallelujah
Song by Leonard Cohen ‧ 1984
Now I’ve heard there was a secret chord
That David played, and it pleased the Lord
But you don’t really care for music, do you?
It goes like this, the fourth, the fifth
The minor falls, the major lifts
The baffled king composing Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Your faith was strong but you needed proof
You saw her bathing on the roof
Her beauty and the moonlight overthrew you
She tied you to a kitchen chair
She broke your throne, and she cut your hair
And from your lips she drew the Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
You say I took the name in vain
I don’t even know the name
But if I did, well, really, what’s it to you?
There’s a blaze of light in every word
It doesn’t matter which you heard
The holy or the broken Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
I did my best, it wasn’t much
I couldn’t feel, so I tried to touch
I’ve told the truth, I didn’t come to fool you
And even though it all went wrong
I’ll stand before the Lord of Song
With nothing on my tongue but Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Hallelujah, Hallelujah
Source: Musixmatch
Songwriters: Leonard Cohen / Theresa Christina Calonge De Sa Mattos


















You must be logged in to post a comment.